Before starting vocal coaching, I struggled to find the right notes and melodies on my guitar, and my singing felt a bit disconnected from the music. But something incredible happened after just a few sessions—the way I hear and create music has transformed.
I can now effortlessly find notes on the guitar that perfectly match the melodies in my head, and my singing feels more musical and expressive than ever.
This coaching has not only made me a better singer but also a more confident musician. I can’t recommend it enough for anyone looking to take their musicality to the next level!
I started with Paule aged 36, having spent a lifetime on guitar, writing and singing songs but with no vocal training. I’d been stumbling blind, listening to mixed feedback and uninformed advice.
This left me believing my otherwise obvious musical gifts extended to everything but singing. I felt cursed, ugly. I could bluff my way through a live performance through personality but couldn’t face recording.
Breakthroughs with Paule were immediate. I was stunned.
I regained the belief I was meant to sing. It was in my nature, just locked up from years of striving in the wrong direction, self-conscious and trying to force my way forward, uninformed.
After 1 year, people who know me and my music well are blown away at the change. I’ve got so much more to learn and unlock but I legitimately feel like a singer now.
Singing is vocal gymnastics. How far would you get if you got into gymnastics solo? Attempting back flips on a crash pad in your garage… You’d hurt yourself and wouldn’t get far.
Get a coach! In a hurry? Get a great coach! Invest in your primary instrument. Get in touch with Paule.
Since weekly sessions with Paule started 3 months ago, my singing has improved dramatically. Diaphragm and larynx control have been the key for me, Paule has managed to explain this through visual techniques and imagery examples that works for me as he knows that’s how my brain understands things.
My vocal strength and range has significantly improved helping me get through back to back gigs.
I’d fully recommend any singer to take sessions with Paule.
Before joining RVR, I was seeking a space where I could learn proper singing techniques.
Ever since I started coaching sessions with Paule, my singing ability has improved rapidly. I’ve gained a newfound confidence, particularly in using proper techniques and engaging my diaphragm effectively.
Thanks to Paule’s guidance, I can now sing in ways I always aspired to, especially when hitting those challenging high notes. I feel much more comfortable and capable in my vocal performance.
I’m incredibly grateful for these sessions. Paule’s coaching not only has helped me record my music but also played a crucial role in shaping it into what it is today. His support was instrumental in securing funding from NZ On Air for their New Music Pan Asian grant. Paule’s expertise has been invaluable in my artistic journey, and I’m excited to continue my coaching development with him so that I can apply what I’ve learned in future projects.
From Paule: If you’re looking for a vocal coach that has a successful track record in preparing his singers to receive NZ On Air funding (three so far!), then look no further. Contact me today and let’s discuss your vocal and career goals.
Choosing the right microphone for singing can make all the difference in your performance and recording quality.
Whether you’re a beginner stepping onto the stage for the first time, an intermediate singer looking to upgrade your gear, or a seasoned professional refining your setup, selecting the right microphone is crucial. This guide will help you understand the most popular microphone types for live performances and studio recording, so you can make a better informed decision that will help you experience your very own Rapid Vocal Results.
Singers often develop trust relationships and loyalty to certain microphone brands. We base this loyalty on the dependability and reliability of the build quality and the features of each microphone. Within this post, you’ll find several brands recommended across each list to make sure that there’s a high-quality option that aligns with your personal tastes.
Checklist for buying your first microphone
Before diving into the specifics of different microphone types, consider these essential factors to narrow down your options:
1. What is your microphone budget?
Microphones vary widely in price, from budget-friendly options to high-end models. Setting a clear budget will help you focus on microphones that offer the best value for your money, whether you’re looking for a cost-effective dynamic mic or a premium condenser microphone.
2. What is the intended application of the microphone?
Determine how you will primarily use the microphone:
Live performances: If you’re gearing up for stage performances, you’ll need a microphone that can handle the rigors of live settings.
Recording: For those interested in studio recording or producing a high quality podcast, versatility and sound quality become paramount. We’ll explore different types of microphones used for recording musical instruments and their various applications in a future post.
Best microphones for live vocals
When it comes to live vocals and performances, three main types of microphones stand out: dynamic microphones, condenser microphones, and wireless microphone systems. Each offers unique advantages depending on your needs.
I’ll link to each of my top picks for each type of microphone in the sections below. I’m also recommending a few solid alternatives just in case my top pick isn’t available in your country.
What is a dynamic microphone?
Dynamic microphones are known for their durability and ability to handle high sound pressure levels, making them ideal for live performances. They are less sensitive to background noise and feedback, which is crucial in a lively stage environment.
Dynamic mics operate through electromagnetic induction. They use a diaphragm attached to a conductive coil within a magnetic field. Sound waves cause the diaphragm to vibrate, which moves the coil within the field, generating an electrical signal that mirrors the sound wave. This robust design is ideal for dynamic vocal performances and live singing scenarios.
Pros and cons of dynamic microphones
Pros: Durable, affordable, and less prone to feedback, making them great for live vocal performances and professional public speaking events.
Cons: Less sensitive than condenser microphones, which can affect the capture of subtle vocal nuances. Dynamic mics may not be the best choice for detailed studio recordings or vocal lessons that require high precision.
The SM58 is a classic choice for live vocals, renowned for its durability and dependable performance.
You can’t really go wrong with this microphone. Since 1966, it has been the most used microphone in its price bracket for over 50 years, and for good reason!
I personally two of these microphones that I take with me to every gig as a failsafe backup option that I can rely on. I can honestly say that I’ve used the SM58 on many occasions when wireless microphones and/or phantom power for fancier microphones have failed me.
The AKG D5 provides a clear sound with a supercardioid pattern, making it a solid option for those just starting out.
The supercardioid pattern helps to reduce feedback, while being of similar quality to the famous SM58 which is the benchmark for beginner live micrphones.
Known for its focused sound and feedback rejection, suitable for more serious live performers.
This microphone is a direct upgrade from the Shure SM58. Its claim to fame is its gain before feedback. It’s great for really powerful singers and it’s extremely unlikely that a big voice will clip while using the Shure Beta 58A.
Sebastian Bach from Skid Row famously used this microphone and is a very powerful singer in his own right. I like to use my 58A on big stages, but use it less in smaller practice rooms as it doesn’t like closed-in spaces as much.
The Sennheiser e845 is a step up from the e835, with enhanced feedback rejection and clarity. It’s an ideal supercardioid microphone for intermediate users.
The extended high frequency response and supercardioid pickup pattern make this mic a serious contender. It’s one of the best budget options in its class on the market at the moment.
The AKG D7 delivers a detailed and powerful sound with excellent feedback control, making it a great choice for intermediate performers.
This microphone is a direct upgrade from the D5, adding a high-pass filter which reduces the amount of unwanted noise picked up by the microphone and helps to naturally enhance your vocals.
The Shure Beta 87A offers superior clarity and feedback rejection, a top choice for some studio vocal applications.
An upgrade from the Sure Beta 58A, the Beta 87A includes features that are designed for studio-quality vocals, but can be prone to more feedback than the 58A as a result.
A capable PA or sound engineer should be able to mitigate the increased chance of feedback, delivering a professional quality experience for your audience. When this is done, the microphone transforms into a top-notch live performance microphone.
Artists like Dua Lipa, Thom York (Radiohead), Phil Colins, Maynard James Keenen (Tool) and Elvis Costello are among many artists that have been seen performing live with this microphone.
The Sennheiser e945 is a high-end microphone with a super-cardioid pattern, providing exceptional sound quality and versatility. The 900 series from Sennheiser contains their elite microphone range, which also includes the Sennheiser e935 (cardioid dynamic) and the Sennheiser e965, which is a condenser microphone and worthy of consideration.
This is a direct upgrade from the Sennheiser e845, improving sound clarity. With its super-cardioid pattern, this microphone works really well on noisy stages.
While using this microphone, you do need to pay more attention to your plosives and your sibilance due to the increase in clarity. Once again though, partnered with a good sound engineer, this becomes less of an issue.
Artists like Ed Sheeran, Billy Corgan and Shawn Mendez have been known to use this mic for live performances.
Renowned for its precise sound reproduction and low handling noise, the Heil PR 35 is perfect for high-level live performances. These mics are the “Ferrari” compared to the other mics on the professional list.
While they do offer additional bells and whistles that are not found in either of its competitors, the Heil PR-35 is as temperamental as the famous Ferrari racing car. It’s the only microphone I can think of that carries a user warning because in order to get this Ferrari of a microphone to turn in a high performance, you need to either be a very capable engineer or have a good sound person operating your desk.
Why even add this mic to the list? Because when set up and operated properly, the Heil PR 35 has its place on professional stages. If you’re a touring artist and you’ve got a professional PA (with a high pass filter), then you can set this mic up to deliver the best possible performance.
My personal professional recommendation is a tie between the Shure Beta 87a and the Sennheiser E965. Both mics are great for professional use, so getting a good deal on either microphone will give you a tool that is sure to serve you well for years to come.
What is a condenser microphone?
Condenser microphones are designed to capture subtle nuances with high precision. They work using electrostatic principles, where a diaphragm and a stationary back-plate form a capacitor. When sound waves hit the diaphragm, it vibrates, altering the distance between the diaphragm and the back-plate, producing an electrical signal.
Pros and cons of condenser microphones
Pros: Excellent for capturing the full range of vocal tones, making them ideal for both live performances and studio recording. Condenser microphones provide a warmer sound and greater sensitivity, perfect for detailed vocal recordings and for podcasting or similar activities.
Cons: They require a power source, either through batteries or phantom power, and can be more expensive due to their complex design.
The Audio-Technica AT2020 offers a great balance of quality and affordability, making it ideal for those starting out in vocal recording.
This microphone is built solidly and is great for an entry-level home studio because it can handle loud sounds without distorting. This is also a great option for podcasters who are looking at their first upgrade from a USB microphone.
Known for its low self-noise and clarity, the Rode NT1 provides excellent value for beginners.
It has very low noise, good sound quality and comes with an integrated pop filter and shock mount (usually purchased separately for other microphones) and the new 5th generation version is super versatile with the option for either a USB connection or XLR cable.
The USB option makes this even better for people that need to travel and power their microphone from multiple sources.
The MXL 990 is a budget-friendly condenser mic option with a solid performance for entry-level recordings.
Compared to something like the AT2020 above, which is a large diaphragm condenser, the MXL 990 is a small diaphragm condenser, which could be a more portable option for those needing to record on the road. Better yet? It comes in multiple colors!
This is a microphone that sits in my personal stable. The Rode NT2-A provides versatile features and excellent sound quality, suitable for more advanced home studios.
The Rode NT2-A has high build quality and is highly configurable, with a variable high-pass filter, a variable pad and a variable polar pattern. This microphone has served me extremely well, recording vocal demos over at least three years.
In a well-treated acoustic studio, this microphone really shines. Rode microphones at any price point are traditionally the quietest microphones on the market and this one has a claim to fame of being around 10dB quieter than its usual competition.
The Rode NT2-A can handle a lot of noise, making it great for both powerful singers and acoustic guitar, making it my top choice in this category.
Unlike the NT1, this one doesn’t come with an included shock mount but if you’re eyeing this microphone up, I’d recommend purchasing a compatible one along with the mic.
The AKG C214 offers professional-grade sound with a more accessible price, making it ideal for serious intermediate vocalists or podcasters.
This is a good all round mic and comes with both a low cut filter and switchable 20dB attenuation. It’s a great choice for recording alongside strings (e.g. an electric guitar) due to its frequency range, preventing them from sounding too trebly or whiny.
Unlike the NT2-A above, it has just a single pick up pattern so is a little less versatile.
The Shure KSM32 is a reliable choice with a clear, natural sound, perfect for intermediate users. Again it includes a single cardioid polar pattern, which does make it simpler to operate than the Rode NT2-A, albeit less versatile.
This is a step up in price point from some of the other options on this list, but can be worth it to virtually eliminate any background noise with its built-in low frequency filter.
This is my favorite microphone of all time and I’ve recently taken the leap and invested in one of these for myself.
I have achieved studio-level quality vocal recordings in untreated rooms with this mic. Not only that, when you invest in a high-end microphone like this one, you suddenly have this amazing consistency.
I can pack down and set up this microphone again in whichever studio I happen to be recording in and I can immediately find the same recording tone and sound. This means that I don’t need to waste any time struggling to ensure one guitar track sounds the same as the one I recorded weeks prior in a different room. The same goes with vocals, of course!
This is a high-end microphone that I can highly recommend. The catch is that availability is often limited due to these being made by hand in Germany by Neumann. Believe me though, it’s well worth the wait for its distinctive sound and it has become my own secret weapon when it comes to making any vocal sound world class.
Wireless microphones provide the convenience of freedom from cables, which is ideal for stage performances where mobility is essential. A wireless system includes a transmitter and a receiver.
Transmitter: Encodes the audio signal into a radio frequency (RF) signal.
Receiver: Decodes the RF signal back into an audio signal and sends it to your mixer or recording device.
Pros and cons of wireless microphones:
Pros: Wireless microphones provide mobility, eliminating cable tangling, and are suitable for energetic performances. They are especially helpful for performers that like to move around on stage, without getting tangled up.
Cons: Higher cost and potential for interference in crowded radio environments. Requires batteries or recharging, which can be a consideration for regular use.
Top wireless microphone systems for each singing level
Before you buy any microphone, but this is especially true for wireless microphones, be prepared to dive into the specifications sheet. Get to know the advantages and disadvantages of the microphone you’re looking at. You will find this invaluable for making good purchasing decisions and making your money go as far as it can.
These are my top picks for wireless microphones, which have a noticeable increase in additional volume on stage. If you are a beginner singer about to start out with your first band and you don’t have a particularly strong voice, a wireless microphone with its extra volume boost can potentially make life a bit easier for you.
The difference between the entry level microphones and the professional grade kits is that the higher end systems come with many more channels available to you. Good higher channel systems can automatically switch channels as soon as they encounter any kind of interference while they’re operating, ensuring your voice remains as clear as possible throughout your performance.
If you’re new to performing, you might be playing on fairly small stages that make it easy to become tangled in cables. A wireless microphone can be a very easy solution to help you become more mobile and avoid adding to the amount of cables on the stage. Plus, as a singer, it’s so much fun to be able to get off the stage and have a wander around in the audience. Doing this can often give you a different perspective of what the band is sounding like through the front of house speaker system, so it’s always a great idea to do this at least once per show if you can!
Provides digital wireless technology with high-quality sound and a robust signal, suitable for intermediate performers.
In this grade, often transmitters (microphones) and receivers are sold separately, providing flexibility on your choice of microphone. A great microphone transmitter option to pair the receiver with as an intermediate vocalist is the ULXD2/B58, which is effectively the wireless version of the B58 discussed in the dynamic microphone section of this post.
Selecting the right microphone for your needs can significantly impact your performance and recording quality. By understanding your budget, intended use, and the advantages of each microphone type, you can make an informed choice that enhances your vocal results. Whether you opt for a dynamic microphone, a condenser microphone, or the flexibility of a wireless system, your choice should align with your unique needs as a vocalist.
A good singing teacher or vocal coach should have lots of first hand experience using different types of microphones in various types of live performance and recording environments. It’s vital that singers understand that different types of vocal microphones will sonically color or enhance our performing voice and that a cheap microphone may look appealing to our wallet, but wont do much to help you win over new fans.
Your singing teacher or vocal coach should be knowledgeable about all things related to singing, including microphones and how they work. I’m more than happy to provide personalized advice to my students at any time. If you’re a student of mine looking for your first microphone, feel free to contact me or bring it up the next time we see each other.
If you’re already working with another singing teacher or vocal coach but they aren’t knowledgeable in this area, I’m currently taking on new students for vocal diagnostic sessions. Let’s talk about making your vocal goals a reality. Contact me today for expert guidance on how to take your singing to the next level.
Better information leads to better singing.
Disclaimer: If you make a purchase from one of the above Amazon Associate links, a tiny commission goes to supporting the site. In keeping with my “No BS” policy, I only ever recommend products that I personally use or know are beneficial to my readers.
Remember the thrill of collecting stickers, trading bubble gum cards, or amassing Star Wars action figures as a kid? That same excitement has come roaring back with a modern twist in the form of Funko Pop figures. These highly detailed collectibles have taken the world by storm. Whether you’re a music fan looking to celebrate your favorite rock stars, or a pop culture enthusiast craving a piece of Hollywood magic, Funko Pops offer you the opportunity to collect your favorite rock stars in figurine form.
As adults, we might have outgrown the bubble gum, but we haven’t outgrown the fun of collecting. Funko Pop figures are the perfect way to rekindle that childhood excitement. From legendary 70’s rock stars like Alice Cooper and Paul Stanley or Gene Simmons from Kiss, through to the latest contemporary pop sensations, these figures cover a vast array of characters. With limited editions and exclusive releases creating a buzz, the value of these collectibles can skyrocket. Today I’ll give you insight into the world of Funko Pops and help you to discover how these figures can become treasured highlights in your collection.
My Funko Pops collection
My own Funko Pops collection includes many of my favorite rock stars, like Slash, who I originally purchased with the intention of having him sit on my Marshall amplifier. I then thought to myself that I had to get Axl as well, because they make such a great team. I told myself I’d just collect a few more Funko Pops with the intention of putting them in a display case to pay recognition to my favorite singers and guitarists in my studio. It really has rekindled my love of collecting, which is something I haven’t really done since my childhood.
My favorite figures are definitely Axl and Slash. I remember getting really excited when I saw in the catalogue that Funko Pops had finally released a Rob Halford from Judas Priest (my favorite singer of all time) figure, complete with sunglasses, a whip and his trademark cap. Another notable additions to my collection include my Gene Simmons (Kiss) figurine, Dee Snider from Twisted Sister, Ronnie James Dio, and my Highway to Hell album reproduction figure. Funko Pops really does have a collectible for everyone – Jimi Hendrix is so popular that there are even a few different versions of him (which I also own)!
The appeal and value of Funko Pop figures
Funko Pop figures aren’t just eye-catching toys; they’re coveted collectibles that add character to any space that are collected by kids and adults alike. Here’s why they’ve become so irresistible:
1. Nostalgia and artistry
Each Funko Pop figure is a piece of art that taps into your favorite memories and fandoms. Whether it’s a rock star from your youth or a character from a beloved movie, these figures capture the essence of iconic personalities with unique designs. They are miniature gateways to the worlds you love.
2. The thrill of the hunt
The excitement doesn’t end with just owning a Funko Pop. The chase for limited editions, exclusives, and rare figures is part of the fun. Collectors eagerly track down these elusive items, turning each new release into an event fueled by social media buzz and collector communities.
Some Funko Pops only receive one-off production runs and won’t be available again. This makes them highly collectible and likely to preserve, or even increase in value over time. Like in many collectible hobbies, some of the more highly sought after Funko Pop figures that you buy today may very well double, or even triple in value over the next decade.
3. Show your true colors
Displaying your Funko Pop figures is a way to show off your fandom. Whether you’re decorating your music room, bedroom, or any personal space, these figures proudly announce your favorite artists, rock stars, and characters. They’re not just decorations; they’re conversations starters and personal statements.
4. Connection and community
Collecting Funko Pops connects you with a global community of enthusiasts. Sharing your collection, joining collector groups, and participating in events lets you bond with fellow fans who share your passion. It’s more than a hobby—it’s a way to connect with others who appreciate the same things you do.
Factors that influence the appeal and value of Funko Pop figures
Not all Funko Pop figures are created equal. Several factors can affect their appeal and value:
Rarity and exclusivity
Some Funko Pops are rarer than others. Limited edition releases, exclusive figures available only at certain events or stores, and figures no longer in production can become highly sought after. The scarcity of these items drives up their value and makes them prized possessions.
Condition
The condition of a Funko Pop figure can significantly impact its worth. Figures that are still in mint condition, especially those with undamaged boxes, can fetch higher prices. A well-preserved figure is more valuable than one that’s seen better days.
Popularity
The popularity of the character or artist also plays a crucial role. Figures based on highly sought-after characters or celebrities tend to be more valuable. The demand for certain figures can fluctuate, so what’s hot today might change tomorrow.
Errors and variations
Funko Pop figures with errors or unique variations, like misprints or unusual color schemes, can become rare collectibles. These variations can significantly increase the figure’s value, making them a fascinating addition to any collection.
Set and detail
Some Funko Pops come as part of a set, including complete band sets or detailed album covers. The complexity and detail of these sets can add to their value, making them more appealing to collectors who appreciate intricate designs.
Getting started with Funko Pop collecting
If you’re ready to dive into the world of Funko Pops, here are a few tips to get you started:
Start with what you love: Focus on figures related to your favorite musicians, movies, or TV shows. Your personal connection to the characters will make collecting more enjoyable.
Decide whether to keep your Funko Pops in their boxes: I’ll leave it up to you to decide whether your figurines are best enjoyed in, or out of their boxes. Just bear in mind that unopened collectibles are more likely to increase in value over time.
Keep an eye on releases: Follow Funko Pop news and join collector communities to stay updated on new releases, limited editions, and exclusives.
Protect your collection: Store your figures in a cool, dry place. Keeping them in their boxes can help to maintain their condition and value.
Join the community: Engage with other collectors online or at local events. Sharing your collection and experiences can enhance your enjoyment and provide valuable insights.
My top 5 picks for kickstarting your rock and metal Funko Pop collection
The world of Funko Pops can be a daunting one when you’re starting, as there are so many options to choose from. Options range from single figures through to complete album box sets. Here are my top picks for getting started with your rock and metal Funko Pop collection.
5. Queen – Wembley Stadium
Box sets are a great way to start rocking with your Funko Pop collection, as they come with all the members of the band. My top box set pick would have to be Queen at Wembley Stadium in 1986, where Queen performed in front of a sold out audience of 72,000.
Alice Cooper is a rock icon worth including in any collection of Funko Pops worth its salt. Welcome to My Nightmare was Alice Cooper’s first solo studio album and includes the song “Only Women Bleed”, which was a favorite song of Guns N’ Roses to include in their live set on their Use Your Illusion tour.
Part of my own collection, this is one of my favorites. Highway to Hell is an iconic rock album, and the last that Bon Scott (RIP) was ACDC’s vocalist for. This figurine is a fantastic way to honor the memory of Malcolm Young (RIP also) as well as celebrate the awesome contribution of Bon Scott’s powerhouse vocals.
These figurines preserve a moment in time: the iconic Alive II Tour in 1978. This set is from a Funko Pop collection called “Moments” and is a must have for any die hard Kiss fan.
These are technically two figures, but they’re near and dear to my heart, and the figurines I used to start my own collection. They’re highly detailed and a joy to have in my studio.
Regardless of whether you’re a fan of 70’s Alice Cooper, or modern day Slipknot, there’s a Funko Pop collectible figure for you.
Funko Pop figures have transformed the world of collectibles, offering a nostalgic and exciting way to celebrate your favorite musical heroes and pop culture icons. They’re not just toys, they are fully detailed figures that add personality and character to your living and work space.
More from the author
If you’re a singer that’s interested in improving and maintaining your healthy singing voice, I post regular blogs for free on everything to do with how to improve your singing.
I also coach singers from all over the world online, teaching my world-class Rapid Vocal Results singing method. If you need some one on one coaching time to remove your current vocal handbrakes, contact me today and let’s chat.
Disclaimer: If you make a purchase from one of the above Amazon Associate links, a tiny commission goes to supporting the site. In keeping with my “No BS” policy, I only ever recommend products that I personally use or know are beneficial to my readers.
Have you ever wondered why some singers seem to effortlessly connect with their voice, delivering smooth and captivating performances, while other singers sound like their singing is full of tension and strain? Or maybe why some people quickly master new skills while others, despite their best efforts, seem to make little or no noticeable progress?
If you’ve ever felt stuck in a rut with your vocal development, understanding the role of sensory receptors, and how they influence your brain’s decision making when it comes singing, might offer some insight on how to rapidly improve your singing voice. This post explores how sensory receptors affect your singing and why your brain might be giving you less-than-helpful advice.
The basics of sensory receptors
Sensory receptors are vital in interpreting stimuli from both our external environment and internal state. They convert various stimuli into signals that our nervous system processes through sensory transduction. When activated, these receptors generate graded potentials in sensory neurons, which then transmit these signals to the central nervous system, (CNS). An easier way to think of our CNS is to simply picture it as the message-processing center of our brain.
The CNS interprets these signals, but this task is often complicated because sensory information falls into two broad categories:
Sensation: This is straightforward and includes clear stimuli such as hot, cold, light and heavy. For example, if you accidentally touch a hot oven, your brain quickly signals you to move away to prevent burns.
Perception: This involves more abstract and vague stimuli that don’t always provide a clear or immediate picture of what you’re experiencing. When learning to sing, your sensory receptors send a mix of sensation and perception messages, making it challenging for your brain to interpret and respond accurately.
Sensation vs. perception
Sensation is about the direct activation of sensory receptors by stimuli. It’s relatively simple and provides clear data (think of the immediate feeling of your fingers typing on a keyboard). Perception, on the other hand, integrates these sensory inputs into meaningful patterns. The accuracy of these patterns depends on familiarity with the actions you’re performing. For instance, seasoned typists have a clear sense of the tactile feedback and are highly familiar with the layout of the letters on the keyboard which allows them to move at practiced lightning fast speeds, whereas novice typists typically struggle with typing accuracy and the sensation of typing feels awkward and foreign to the fingers.
Types of sensory receptors
Sensory receptors come in different forms, each specialized for detecting specific types of stimuli:
Neurons with free nerve endings: These are found in tissues like the dermis (a layer in your skin) and respond to pain and temperature changes.
Encapsulated nerve endings: Located in structures like v, these are sensitive to pressure and touch.
Specialized receptor cells: For example, photoreceptors in the retina (part of your eye) respond to light stimuli.
Your skin contains important sensory receptors, including your tactile corpsucles.
Vocal cords: unique sensory adaptations
Interestingly, vocal cords themselves lack tactile nerve endings. This means that singers don’t directly feel physical sensations from their vocal cords during singing. Instead, sensations like pitch and vibration are perceived indirectly through surrounding structures and proprioceptive feedback from muscles and joints. This unique sensory adaptation can make it challenging to accurately gauge vocal adjustments purely based on sensation.
Sensory experience in singing
Singers often describe unique sensations during performance. This includes feeling sound moving from an incorrectly-placed position below the larynx, through to a higher position against the hard/soft palettes. My singers (once they’ve been taught the role of the laryngeal tilt) begin to experience sound vibrations moving up into the back of their throat, behind the uvula. These sensations always feel a little strange at first because our brains can struggle to make sense of the combined messages from both our sensory and perception receptors.
Some singers might feel a note floating above their head when reaching higher pitches, despite their feet remaining firmly on the ground. This sensation of levitation is particularly strong in registers like mixed voice, or reinforced falsetto, when the voice correctly resonates higher up in the head.
In certain registers, especially when singing in mixed or reinforced falsetto, singers might experience a profound sensation of levitation. This subjective feeling occurs as higher notes resonate in the head voice, enhancing the emotional and physical engagement with the performance. This subjective feeling occurs as the vocal cords are thinning down, subsequently reducing the mass in the vocal cord causing the voice to feel lighter.
This often leads to a confusing feeling for the brain, because it starts to think we are floating or physically levitating off the ground. Understanding how our sensory receptors work can help singers make a better connection with their voice and improve their overall vocal performance.
Breaking the vicious cycle of bad singing habits
Bad singing habits can be difficult to break using traditional methods, largely because singers often follow the same misguided advice generated from their own brain. When the desired outcome isn’t achieved, the brain might say, “OK, keep going, next time try a little harder, you’ve almost got it.” In reality, this approach often leads to repeated failures because the brain fails to recognize that the problem lies in using incorrect techniques and/or incorrect breath coordination.
The key to overcoming these bad habits is to develop a heightened internal awareness of the correct sensations that indicate proper vocal technique. By learning to recognize and replicate these sensations, singers can break free from ineffective patterns and achieve rapid vocal improvements.
Harnessing sensory awareness for better singing
Understanding how sensory receptors function and their impact on singing can significantly enhance your vocal abilities. Sensory receptors send information in real-time, dealing with clear absolutes like hot or cold, while other receptors provide more abstract, vague messages. When your brain is overwhelmed, it might rely on the strongest sensations, which can lead to ineffective or incorrect singing advice.
To break free from inaccurate advice and improve your vocal technique, it’s crucial to discern whether the feedback from your brain that you’re receiving is genuinely helpful or potentially harmful. Ensure that your vocal coach or singing teacher uses up-to-date learning methods and demonstrates a thorough understanding of vocal anatomy and understands the mechanics of how the voice is naturally designed to work. Look for coaches who can physically demonstrate correct vocal techniques and provide professional-level singing demonstrations.
Discover more about Rapid Vocal Results
If you found this blog post insightful, explore our extensive blog library. Whether you’re learning to sing, seeking lessons, or looking for expert guidance, my coaching sessions are designed to accelerate your vocal development. Contact me to find out more and we can discuss a learning plan that is tailored to your specific vocal goals.
In the rapidly evolving world of music, technology often brings both excitement and controversy. The rise of AI-generated voice models is one such development, igniting debates about creativity, authenticity, and the future of human artistry in the music industry. This blog delves into whether AI is a groundbreaking tool that will elevate music production or if it represents a significant challenge that could overshadow the hard work of human artists.
Public reception and cultural impact
On April 4, 2023, the music world witnessed a landmark event: “Heart on My Sleeve,” a track purportedly featuring The Weeknd and Drake, was released, but not by the artists themselves. Instead, an anonymous user employed AI-generated voice models to create the song. The track quickly gained popularity, amassing 15 million views on TikTok within weeks. However, its success was short-lived, as Universal Music Group issued takedown notices, removing it from digital platforms.
This incident marked a significant moment for AI in mainstream music, moving it from experimental circles to the public eye. While pioneers like Holly Herndon had already explored AI voice models, the rise of AI covers—songs produced using voice conversion techniques—brought vocal AI into the spotlight, altering public perceptions of musical innovation.
AI artist voice cloning update
Three weeks ago, I posted a prophetic article warning of the very real danger that major label record companies would encourage their artists to succumb to AI voice cloning technology. My worst fears have now been confirmed.
In a groundbreaking move that blurs the lines between human creativity and artificial intelligence, Universal Music, the world’s largest music company, has forged a partnership with AI start-up Soundlabs. This collaboration aims to revolutionize music creation by allowing artists to utilize AI-generated vocal models based on their own voice data. This development raises pressing questions about the future of authentic artistry and the potential for AI to overshadow human creativity in the industry.
Legal and ethical challenges
The use of AI voice models in music introduces a host of legal and ethical issues, primarily revolving around copyright and the right of publicity. The “Heart on My Sleeve” controversy brought these concerns to the forefront, raising questions about how AI affects the market value of original works and artists’ vocal identities. Historical legal battles, such as Tom Waits’ case against unauthorized voice impersonations, cast a shadow over AI’s future in replicating artists’ voices without consent.
Protecting your voice from AI misuse
AI voice cloning also poses significant risks for radio celebrities and public figures whose voices might be used without permission to endorse products or promote events. Unfortunately, under U.S. copyright law, voices themselves cannot be protected. Copyright protection is only available for “original works of authorship fixed in any tangible medium of expression,” and voices are not considered “fixed.” Trademark law does not extend to protecting voices either, although sounds that identify goods or services can be registered as trademarks, such as the “NBC chimes” for broadcasting services. Celebrities with distinctive catchphrases, like Michael Buffer’s “Let’s Get Ready to Rumble!,” can register these phrases as trademarks, but this does not cover unauthorized use of their voices in other contexts.
A more applicable protection is the right of publicity, which exists in many states like New York and California. This right allows individuals to control the commercial use of their personal traits, including their name, likeness, signature, and voice. The right of publicity is especially valuable for celebrities, as it protects their persona from unauthorized commercial exploitation.
In the landmark case Midler v. Ford, singer Bette Midler sued Ford Motor Company for using a sound-alike singer to mimic her voice in a commercial. The court ruled in favor of Midler, acknowledging that a person’s voice is a key element of their identity. This case set a crucial precedent, affirming that the appropriation of a person’s distinctive voice can be grounds for legal action under state law.
Another option for addressing unauthorized voice use is pursuing a claim of misappropriation or false endorsement under the Lanham Act. For example, in Waits v. Frito-Lay, Tom Waits successfully sued for voice misappropriation after Frito-Lay aired a commercial featuring a voice imitation of his distinctive sound. The court awarded Waits significant damages, recognizing the harm caused by the unauthorized use of his vocal identity.
These protections are not absolute and must be balanced against First Amendment rights, which allow for parody and commentary. Celebrities cannot control all imitations, especially those that fall under satire or parody. However, the principles established in cases like Midler and Waits suggest that AI-generated voice cloning could potentially infringe on a celebrity’s right of publicity, especially if used for commercial purposes without consent.
Voice and authentic identity
Authenticity is a core issue in the realm of AI-generated music. Unlike generative text or visual art, which may remain detached from their creators’ identities, voices are deeply personal and intrinsic to a singer’s persona. The challenge lies in whether audiences will accept AI-generated music that lacks traditional authenticity, or if new criteria will emerge to define what constitutes genuine musical expression in the digital era.
The success of Vocaloid, particularly characters like Hatsune Miku, provides a glimpse into one potential path. These virtual singers, created from voice samples, have developed distinct identities separate from their original artists, fostering a unique subculture within music. This model suggests that AI voice models could carve out their own artistic niches, moving beyond imitation to create something genuinely new.
The future of AI in music production
Looking ahead, the future of AI voice models in music is both uncertain and promising. The trajectory of AI in music will be shaped by ongoing legal and ethical considerations, which will influence how artists and audiences perceive its role in music creation. As technology progresses, the challenge will be to balance innovation with respect for artistic integrity and legal rights.
Conclusion: Embrace musical integrity
Mastering the art of singing requires dedication and skill. While AI presents tempting shortcuts, relying on such technology can compromise the authenticity of your artistry. Imagine your viral bedroom song falling flat in live performances because AI-generated vocals don’t align with your true voice. Upholding musical integrity means investing heart and soul into your craft and resisting the urge to pass off AI creations as your own. Embrace the challenge of personal growth and artistic fulfillment—it’s worth far more than any shortcut.
Call to action: Explore your musical journey
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Every singer, whether seasoned or just starting out, will likely encounter sinus-related issues at some point. These issues can strike at the most inconvenient times, sometimes just before a big performance. Understanding how these problems affect your singing and how to manage them can make a significant difference in your vocal health and performance.
Blocked airways are a major challenge for singers. When your nasal passages are blocked, it becomes difficult to breathe deeply and use your diaphragm effectively. This disrupts the foundation of good vocal support and efficiency. A blocked nose, a congested chest, or obstructed sinuses all contribute to increased air pressure behind the vocal cords, making it harder to achieve proper cord closure and produce clear sounds.
The impact of excessive mucus on vocal cords
Sinus infections and severe allergy reactions can lead to excessive mucus production. This mucus often drips down the nasal passages and onto the vocal cords, causing inflammation and swelling. When vocal cords swell, they lose their natural thickness and mass, which makes it challenging to reach higher notes and perform at your best.
Pain and pressure from sinus congestion
Severe sinus congestion can create intense discomfort when singing, especially at higher volumes or through your full vocal range. The mucus in your sinuses can increase air pressure in your nasal passages and ears, similar to the pressure experienced by divers. This can lead to painful singing experiences and reduced vocal performance.
When to seek medical help
If you experience significant discomfort or vocal issues due to sinus problems, it’s crucial to address the underlying issues immediately. Here’s a guide to common sinus problems, their symptoms, and how to manage them.
Common sinus problems
Blocked nose
Summary: A blocked nose, often due to congestion or swelling of the nasal tissues, can force you to breathe through your mouth. This dries out your vocal cords and can lead to a harsh, strained sound.
Resolution: Use saline nasal sprays or a neti pot to clear congestion. Humidify your environment to keep nasal passages moist. If the problem persists, consult a healthcare provider for treatments like decongestants or corticosteroids.
Please note that dehumidifiers need to be used responsibly. If set too high, you will remove the rehydrating moisture from the air and risk drying out your voice.
Head cold
Summary: Head colds can cause a runny nose, sore throat, and general congestion, affecting your voice by causing hoarseness and vocal fatigue. This inflammation can lead to a temporary loss of vocal range.
Resolution: Rest your voice and stay hydrated. Warm teas with honey can soothe your throat. Over-the-counter medications like decongestants and cough suppressants can alleviate symptoms. If symptoms last beyond a week, seek medical advice.
Allergies
Summary: Allergies can cause nasal congestion, post-nasal drip, and throat irritation, impacting vocal quality. Allergens like pollen and dust can make it difficult to maintain a clear voice.
Resolution: Identify and avoid allergens. Use antihistamines and nasal steroid sprays to reduce symptoms. Consider vocal steaming to help remove allergens from your sinus passages. Keeping your living space clean and using air purifiers may also help.
Sinusitis
Summary: Sinusitis involves inflammation of the sinus cavities, leading to thick nasal discharge, facial pain, and a diminished sense of smell. It can cause persistent voice issues, including a nasal or muffled sound.
Resolution: Treatment often involves nasal saline irrigation, steam inhalation, and possibly antibiotics. Chronic sinusitis may require more intensive treatments or surgical options. Consulting an ENT specialist is advisable.
To learn more about steam inhalation (“vocal steaming”), check out my previous blog post that discusses this topic in detail.
Nasal polyps
Summary: Nasal polyps are non-cancerous growths that block nasal passages and sinuses, leading to chronic congestion and infections. They can alter your voice, causing nasal resonance and vocal projection difficulties.
Resolution: Nasal corticosteroids can reduce the size of polyps. Severe cases may require surgical removal. Ongoing management by an ENT specialist is crucial for long-term relief.
Deviated septum
Summary: A deviated septum occurs when the nasal septum is displaced, leading to one nasal passage being smaller than the other. This can cause chronic congestion and affect vocal performance.
Resolution: Treatments may include nasal sprays and decongestants. In severe cases, surgical correction (septoplasty) might be recommended to improve airflow.
Chronic rhinosinusitis
Summary: Chronic rhinosinusitis involves long-term inflammation of the sinuses, leading to persistent congestion, facial pain, and a reduced sense of smell. This can significantly impact vocal performance, causing a consistently muffled voice.
Resolution: Long-term treatment usually includes nasal corticosteroids, saline irrigation, and possibly surgery. Consulting with an ENT specialist is crucial for managing chronic cases.
Excessive phlegm
Summary: Excessive phlegm can lead to throat clearing, coughing, and vocal strain. It creates a feeling of obstruction and reduces voice clarity.
Resolution: Stay hydrated to thin mucus and use a humidifier to keep your airways moist. Over-the-counter expectorants like Mucinex can help. If phlegm persists, consult a healthcare provider for targeted treatments. A natural alternative that I use personally is Mullien leaf extract (if you have excessive phlegm, this will help you to cough it out).
Summary: Thick, discoloured mucus in the throat and nasal passages can affect vocal quality and comfort. It can result from infections, allergies, or irritants.
Resolution: Regular sinus rinses can clear mucus and maintain sinus health. Saline rinses help reduce inflammation and improve sinus function, enhancing vocal performance.
The benefits of regular sinus rinses
Regular sinus rinses can offer multiple benefits for maintaining sinus health and improving vocal performance. Using saline solutions like the NeilMed “Sinugator” (a tool that assists with nasal rinsing) helps to:
Reduce nasal congestion and improve airflow.
Decrease the frequency and severity of sinus infections.
Alleviate symptoms of sinusitis and chronic rhinosinusitis.
Enhance vocal clarity and reduce strain caused by mucus buildup.
Incorporating sinus rinses into your routine can lead to noticeable improvements in your singing performance and overall vocal health.
I personally use NeilMed products when rinsing my own sinuses. My top pick for tools that help with this process is the NeilMed Sinugator, which includes a bunch of saline sachets to get you started. Cheaper alternatives from the same brand are either the NeilMed NasaFlo Unbreakable Neti Pot, which also comes with plenty of saline rinse sachets in the box, or the standard bottle solution.
When you need to purchase additional sachets, my advice is to avoid anything that has any additional additives (like eucalyptus) and look for products that contain only a plain saline solution (like this one).
By understanding these common sinus issues and their management, you can take proactive steps to maintain your vocal health. Whether you’re dealing with a cold or a more serious sinus condition, addressing these problems promptly will help keep your voice clear and strong.
If you consistently experience any of the problems that I’ve discussed in this post, you may benefit from some one-on-one expert coaching. Send me a message and we can talk about options that suit you best. Better information leads to better singing!
Disclaimer: If you make a purchase from one of the above Amazon Associate links, a tiny commission goes to supporting the site. In keeping with my “No BS” policy, I only ever recommend products that I personally use or know are beneficial to my readers.
Three weeks ago I posted a prophetic article warning of the very real danger that major label record companies would encourage their artists to succumb to AI voice cloning technology. My worst fears have now been confirmed.
In a groundbreaking move that blurs the lines between human creativity and artificial intelligence, Universal Music, the world’s largest music company, has forged a partnership with AI start-up Soundlabs. This collaboration aims to revolutionize music creation by allowing artists to utilize AI-generated vocal models based on their own voice data.
Understanding the deal
😇 Under the agreement, artists signed to Universal Music Group (UMG) can train AI models using their own vocal recordings. This means that artists like Jon Bon Jovi could potentially release new albums featuring vocals generated entirely by AI, while preserving their original voice. Importantly, artists retain ownership of the AI-generated content and have full control over its artistic use.
😈 Reading between the lines, record companies will now introduce the AI cloning services as part of standard recording artist contracts. The downside will be that artists will receive lower percentages per unit for album sales.
Empowering artists with AI technology
😇 The partnership between UMG and Soundlabs promises to push the boundaries of vocal manipulation in music production. According to Universal Music, the collaboration enables artists and producers to explore advanced vocal transformations previously deemed impossible. These transformations include voice-to-voice, voice-to-instrument, speech-to-singing, and even language transposition.
😈 Record companies will use AI to squeeze out every dollar they can for existing artists that they own. Artists like Prince (RIP) will very likely soon be releasing a beyond the grave album that the artists did not write or sing or play on. This new way of extracting blood from a stone is going to have a major impact on the profitability of new emerging artists and dramatically affect their chance to chart in the top 20!
The Ethical Framework of AI in Music
😇 Soundlabs founder BT emphasizes the ethical use of AI in music creation. He asserts that AI tools are designed not to replace human artists but to enhance their creativity. By providing assistive technologies that empower musicians, Soundlabs aims to democratize creativity while ensuring that artists maintain control over their artistic output.
😈 While the above rhetoric certainly sounds fair and reasonable, condoning and creating acceptance of AI artists and AI music in the music industry could have a devastating effect on the profitability and continuing longevity of all the people that invest their lives into creating real music. This includes recording engineers, artists, sound companies, and everyone else involved in the process of recording music and bringing it to market.
We should be prepared for a big clear out. The whole music creation industry is about to undergo a violent shift and many people in the above industries will be the direct casualties.
The controversial potential of AI in music
😇 While Soundlabs advocates for ethical AI practices, the use of artificial intelligence in music creation has sparked controversy. Critics argue that AI-generated music could undermine the authenticity and emotional depth associated with human performance. Nonetheless, proponents view AI as a tool for unlocking new creative possibilities and reducing friction in the creative process.
😈 Record companies have taken a beating at the hands of filesharing and illegal downloads. Make no mistake, ethics is not in their dictionary when it comes to making money or taking unfair advantage of the artists on their roster.
Navigating the future of music
As technology continues to evolve, the music industry faces profound questions about the role of AI in artistic expression. The partnership between Universal Music and Soundlabs represents a pivotal moment in this ongoing dialogue. By leveraging AI responsibly, artists can potentially innovate and expand their creative horizons while preserving the essence of human musicality.
My personal belief is that music artists need to band together and create a powerful global union (that everyone can join) and with the annual subs jointly fund the services of top lawyers in the field. We need to draft a musicians equivalent to the bill of rights to physically protect their intellectual musical property, including voice & physical likeness, lyric writing style and usage of intellectual property.
Let’s get the ball rolling
Start by contacting your performing rights associations and mechanical copyright companies in your country. Do it now to let them know that you are concerned about the dangers of AI music creation and the risks it imposes on the livelihood of every recording artist and anyone else that is associated with live music production.
Without a group such as an organized global performers union, individual artists stand no chance to retain their musical property and will in all likelihood be steamrolled by sweeping changes and paradigm shifts in regard to how music is created in the professional music recording industry.
